Interview with Oklahoma City, OK Superstars
Slowvein and Danny Berry, Guitar and Vocals:
Lets start off with the basics. Tell us who
you are, where you are from, old friends, favorite drinks, entertainer,
who inspires you to greatness, family, hometown, song, book, we
will find you in your spare time doing… what?
Danny Berry "Guitar, Vocals" from
Yukon, Oklahoma. I grew up in Yukon and was inspired by Rush, Frank
Marino, Led Zeppelin, Judas Priest, Aerosmith, Frank Zappa, Jeff
Beck and many others. I enjoy all kinds of music including blues,
rock, country and instrumental. Some of my favorite guitar players
are Steve Vai & Eddie Vanhalen. My favorite bands to listen
to now are Cry of Love, Extreme, Pink, Audio Slave & Aerosmith.
I rarely drink but when I do I like to drink Long Island Tea, White
Russians and anything fruity. I do not like the taste of beer so
that is why I stick with the mixed drinks. I do nothing in my spare
time because I do not have any spare time. I do find time to watch
Survivor and both CSI and CSI Miami but other than that I am always
either working, doing band work or spending time with my family.
Songwriting, who writes most of the songs,
or do you all write with others, or each other? If so, who? What
inspires you to write? What was your first original song done by
Slowvein? By You? What qualities do you feel make a good songwriter?
Gary Leiter writes all of the lyrics and basic
concepts of the Slowvein songs. We all add our own flavor to them
and I have a lot to do with the over all production of the songs.
Elizabeth even though she follows the lyrics and melody provided
by Gary, she adds another dimension to the song with her unique
voice. The first song we put out was a song called “Story
of My Life”. It is a song about how hard it is to make it
in the music business today and tells the story of our lives and
local musicians. We pressed 100 copies of it on a cassette and released
it as a single at some of our first shows
In playing cover songs, do you find there
is a magic mix for the fans, or the venues?
That is always different. Some clubs will
only let you play covers while others will allow you to do an all-original
show. We have a lot of regular fans that come to see us and they
enjoy it when we play all originals but when you visit a new town
that has never seen you before they tend to want to hear songs they
know. You can work in a few originals as you win over the crowd.
For the most part we play about 50/50 mixing covers and originals,
which makes for a pretty good balance and seems to make everyone
at the shows happy, including the club owners.
How should cover songs be used by a new band
starting out?
New bands should pick songs that they can
play well. Don't try to be something you are not. If you don't have
a keyboard player, don't pick songs that have a lot of keyboards.
If your guitar player can not play fast and percise leads like Eddie
Van Halen then don't pick and play Van Halen songs. The most important
thing is to find songs that fit the singer. The first thing a band
is judged by for the most part is the vocalist. If they can sing
and pick songs that fit into their range, they will probably be
accepted pretty well. Start working on originals as soon as you
can because this is what will make or break you. If no one in the
band is a songwriter then you might want to change members. If you
can not write songs, get in a band with someone who can. You can
not make it playing cover songs so originals "good originals"
are a must.
How did Slowvein start? When? Why?
Slowvein formed in May of 1997. Mark Ramsey,
Gary Leiter and Tommy Kruel had a band together called Sinners &
Saints with a different guitar player "Dow" and singer
Tracy Ross. They had not been playing for several months. I "Danny
Berry" had also been in previous band in the past with Mark
and Tommy called Lester Finwick with another singer "Shawn
Mcarthey". I too had not been playing for a while and decided
to put together a group called British Steel that mached Judas Priest.
I had been running sound for several local bands at the time and
felt that all of the local bands at the time were selling the audience
short in performance and quality. I wanted to put together a band
that put on a show where the band dressed the part, had a great
light show and sound, giving the audience their monies worth. I
called Mark and invited him to call Tommy and Gary and see if they
would be interested in forming this type of band. They agreed to
do it but we still needed a lead singer who could pull off the part
of Rob Halford.
I called Shawn Mcarthey because he was the only person I thought
could play the role. Shawn agreed and we practiced for several weeks
straight, four to five days a week and perfected British Steel playing
90 minutes of Judas Priest songs note for note. We played two shows
that went over really well and packed both venues. We decided that
we wanted to take this more serious because of the response instead
of it just being a hobby as was originally formed. Shawn could not
fulfill a position in a band of this type because of his family
and work obligations. We decided to run an add for a singer in the
local Gazette and wanted to venture down a different road and hire
a female vocalist. We tried out several girls, all of which were
great and then found Elizabeth. She had never sang in a band before
and lacked any type of experience but there was something about
her that we all picked up on. She had star quality and we all saw
in her, the ability to be something special. That was the beginning
of the last seven years.
What are some of the toughest challenges
you’ve faced to this point?
1. Getting record labels to simply open our
package.
2. Accepting that everyone in the band is an individual and has
their own feelings and opinions about things then learning how to
agree to disagree. Most bands would never have the same members
after seven years. We have kept everyone and even add Susan to the
line up.
3. Sticking with it for almost seven years. It is very hard to keep
plugging at it when it feels like nothing is going your way. This
business is very hard but most of the bands that have made it have
gone through the same things as we have.
How would you define the music you create?
Our music is very fresh and different. We
feed off of each other and that shows in our performances. I can
not put a finger on sounding like anyone else. I would rather leave
putting us into a category up to you.
Do you play both acoustic and full band
gigs? Which do you prefer, and why?
We have played a few acoustic shows but not
may, our forte if playing with the full band. We are free to do
what we want when we are together as a band and that shows in our
performance. We would like to put together an acoustic set for special
occasions but have not put much work into that.
Who would you cite as your biggest musical
influence, also who has influenced your life more than anyone else
would?
In life my Mom and Dad have influenced me
the most. They taught me right from wrong and gave me the sense
to choose between the two. In music, anyone and everyone I have
ever heard have influenced me. I even learn from people who I don't
like by learning what not to do.
How important is creative freedom to you,
both as a writer as an artist?
It is everything. I would not be in a band
or be a performer if I did not have the freedom to be myself. I
would not want to be an artist who had to follow a floor plan to
success.
What do you feel your greatest reward has
been as an artist thus far?
The feeling that you get from your fans when
you play a live show. Also hearing back a song that has been finished
in the studio, knowing that you contributed to creating it from
scratch. It feels great to just be able to sit back and listen to
your songs and know that when you started, none of it existed.
What advice do you have for aspiring musicians?
Any advice for bands starting out?
Never give up. It will be hard and it will
feel like you are going no where at times. Be true to yourself and
do it just because it makes you happy. Just like having children,
there is no manual provided to follow. People will give you good
and bad advice. Use logic to decide what to use and what to discard.
What were some of the toughest challenges
that you faced starting out?
Finding people to play with that had the same
vision and goals as me. Each time you change members you are starting
over. Also finding a place to practice at where the police did not
show up and shut you down. Another problem I had was finding the
money to by equipment, I would get some equipment and then it would
get stolen by other musicians.
How do you feel that the music market in
Texas or Kansas or Arkansas differs from Oklahoma or Nashville?
Oklahoma radio and venues do not try to help
local artists. There are several great bands in the area and Oklahoma
radio and press could do a lot to help bands get noticed in a national
sense but they don't. Nashville has a market for music so they have
an industry setup to help and advance local artists. I do not know
much about Kansas or Arkansas other than that we have been excepted
by both when we have played there.
Do you/have you ever found it trying at times
to try and balance both your personal life, and career?
Yes, it is very hard. I have a full time job
and family. I have a nice house and truck to pay for and it is hard
to balance everything. The only thing that makes it possible is
the passion to play music and the support of my family and friends
to accept my dreams.
What location do you all call home as a band,
and how do you see the market there? How are the fans? How are the
venues?
OKC is home for us. There are a few venues
to play at and we are fortunate to make pretty good money playing.
As stated above, the radio stations in the area do nothing to help
the local scene. I guess I should take that back and mention one
DJ that does support the local music scene. Greg Zoobeck at KATT
radio does have a local program that features local bands at 2:00am
on Tuesday's. I guess that speaks for itself because not very many
people listen to the radio at two in the morning on a weeknight.
He tries to help out but is being held back by the program director.
As far as fans, we do have some of the best fans that anyone could
have. We have several people who drive anywhere that we play. They
are dear friends as well as fans and this band is very personable.
We love to visit with people and make new friends.
What is the difference between Nashville
and Oklahoma music?
Nashville is known for it's music and they
break new artists all of the time. People go to Nashville to hear
and make music. Oklahoma is not known for it music scene. People
normally leave Oklahoma to pursue their music career. As far as
the talent, I think Oklahoma has the same caliber of talent as Nashville
does. There are some really good artists in this town.
Living in Oklahoma is there something special
about Oklahoma and being from it that has helped or hurt your careers?
Is Oklahoma music and its perspective different, if so, how?
Just another place to live. The fans are really
good to us here and the cost of living is cheaper than most places.
It does hurt your career somewhat because the local music scene
his is not recognized in other cities as a stomping ground for well-known
rock artists. I guess if we played country it would be different
since Garth Brooks, Reba Macintire and others are from here.
Who is the best instrumentalist, and vocalist,
you have ever performed with, and why? In these areas, who would
you like to perform with and have not to date?
We have performed with a lot of bands that
I listened to when I was growing up and in high school. We have
played with Warrant, Ratt, Tesla, 38 Special, Jim Dandy, Blue Oyster
Cult and several newer artists. We did have the opportunity to open
for Kid Rock but that fell through. It was the difference of a five-minute
phone call. The promoter called and wanted the first person he talked
to, to commit to the show. That person wanted to call the other
members before saying yes just to make sure everyone was in town
because it was a last minute deal. After calling the other members
and calling the promoter back five minutes later, they had already
found someone else. I guess you live and learn. The best thing to
do would have been to commit to the show then call back five minuets
later to cancel if everyone was not available.
What big things, plans etc are in the works
that you could and would share with the readers on Payne County
Line?
We have just released our third album "What
A World" and we plan to launch a nation wide campaign to promote
it to radio. We need the help of the general public to make this
happen. People have to keep coming to the shows and need to start
calling their local radio station and requesting to hear Slowvein
and other local artists. The public holds the power but yet seem
to have no input. With your help we can become a big success.
What makes your music stand out? What is
your "edge"?
The lyrics and musical content makes our music
stand out. The band being fronted by Elizabeth's incredible vocal
ability and Susan's backups in what gives us our edge. We put on
a solid performance when we play live and do our best to entertain
so that people go home feeling like the got their monies worth.
Who are some folks who helped you get started
that you would like to recognize.. say thanks too, etc? Family,
Friends, venues, etc?
Personally I would like to thank Brad Steggmen,
Scott Coy, John Hill, Tommy Hannon, Johnny Brentsfield, David Darnell,
Darren Rushing, Danny Chandler and everyone else I ever played with.
They all taught me a thing or two. My family also played a big part
in my pressing forward. A big thanks goes out to my brother in law,
Kenny Creger for giving me my first guitar and Larry & Steve
Smith for teaching me how to play.
What were some of the places you played around
Oklahoma starting out?
For myself starting out I would play anywhere
and everywhere. Friends bedrooms and garages. School talent shows
and local parties. The first show for the band was at a club called
Sipango’s. This show was cool because Elizabeth had never
sung in a rock band before. She was very nervous and wore a dress
like you would wear to church and she wore a flower on her dress
like you would wear to a prom. She never took the microphone off
of the mic stand. I think the second show we did was at a club called
the Samurai. At this show the change in Elizabeth was like night
and day. She wore some rock and role outfit and did not use the
mic stand all night. She looked like a star and has ever since.
We played the opening set for a local band called Nailed. A local
guitar player “Brent Salisbury” was the guitar player
of this band and he let us open for them to get our foot in the
door. Since then he has made several appearances at our shows, getting
up and playing with the band.
Do you want to share with us a “most
memorable” time, or a.. “no one could have a worse night
than this” event?
1. The most memorable show for me was the
Katt Fest show. Playing in front of 16,000 people was an incredible
feeling.
2. In Lester Finwyck we did have a pretty bad trip on the way home
from the show. One of the vehicles that was carrying equipment left
early so we had to load our trailer to the brim. We started traveling
down the road and Tommy was pulling the trailer with an S10 pickup.
The wind was blowing pretty badly that day and the trailer started
to sway. Tommy lost control and the pickup and the trailer turned
onto it side and slid down the hi-way. We had equipment in the back
of the truck also which went sliding down the hi-way. Everyone was
okay and no one got hurt. It was a good story for gig nightmare.
3. The most enjoyable show was when we were booked to play in Arkansas.
On our trip down we got into traffic because there was a bad wreck
on the road. This resulted in us being late. The show did not pay
very well and we really did not like playing at that particular
club. We were only doing it because the booking agent booked it
for us. When we showed up late the owner started giving us a hard
time about being late and did not even give us a chance to explain.
We basically fired ourselves and left. There was another club in
Fort Smith that we had played at several times and decided to call
and see who was playing. Turns out some of our good friends "Seventh
Veil" from Dallas was playing so we drove to Fort Smith to
party with them. This turned out to be one of the funest nights
that we ever had. It was just the band so we could be ourselves
and did not have to worry about playing. We got pretty plastered
and had the time of our life. We did do a small jam session, which
probably wasn't the best idea we ever had considering the state
of mind we were in at the time.
Is the band self managed, or is there someone
helping with that? Do you do your own booking?
The band is self-managed. We have worked with
booking agents in the past. It is hard to find someone who has "You"
in mind when they do things. Management and booking agents normally
have only themselves in mind and get mad when you can not play a
show or do not have the same views as them on a given situation.
We would love to find someone and would be willing to talk to anyone
about helping us but at the present time feel good about what we
are doing on our own.
How do you perceive a band to be? Is it family,
business, friends, etc??? How does one work through problems that
come up?
All of the above. The band is treated as a
business, the members come together and back each other like family
and we still manage to be friends at the same time. The only way
to work through the problems is to except each other for who we
are and realize that we will not all agree on everything nor have
the same ideas and opinions. Agree to disagree as I stated earlier.
This is your call, anything you would like
to add, this is your chance. Anything you wish to say to the hometown
fans, the newer fans.. the golden oldie fans… to the venues..
etc. stick it here, and we will add it too.
I would just like to thank our fans for their
continued support. We recognize your loyalty and appreciate it.
I would also like to thank my family for supporting me for all of
these years and allowing me to continue to make music. And I would
also like to thank John Cronin, Larry Elliott and Christi Berry
for all of their help. They have done numerous things for this band
and I want to say thank you to them. Without the support of people
such as these, we would not be able to continue.
Where have you all played? What was your best
show to date?
We have played everywhere. Arkansas, Texas,
Kansas and everywhere in between. We performed at Katt Fest in 1998
for 16,000 people. We have played with several regional acts and
have done shows for 10 people to 16,000 people. I think our three
best shows would have to be Katt Fest in 1998, the Battle of the
Bands which we won in 2002 and our What A World CD release party
at the Bricktown Brewery on Oct 10th, 2003.
Has the make up of the band changed much
over the years? If so , how?
We have all the same members as the day that
we formed, with the addition of Susan Lea on Backup Vocals.
What other bands started up when you guys
started? Who was hot at that time?
Most of the other bands that started out locally
when we did are probably not together anymore. A band that was hot
at the time that we started was a band called Fanny Grace. I think
they are still alive and kicking in another state. A local artist
I have always looked up to is Otis Watkins. He is a GREAT guitar
player and asked to help write an acoustic guitar part on a song
called Train Wreck that we have on the new album. It is a great
honor to finally be able to say that I have worked with him. He
did a great job helping write the part.
Where do you see the band in the next 5 years?
10 years?
Hopefully on the MTV music awards. We have
been trying so hard and with this type of dedication we should be
able to push through to the other side.
What do you think has contributed the most
to your success and longevity over the past years?
The members of this band sticking together
through thick and thin. The fans have also held this band together
and gave us a reason to keep on going. We are truly brothers and
sisters and would do anything for anyone in the band.
Is Slowvein a 5 or 6 member band? Have you
added someone to your lineup? Want to share how this came to be,
and why?
We were a five-piece band but in recording
our newest album "What A World" we hired Susan Lea to
sing backups on a song that we wanted a different voice for. The
Producer, Terry Spears knew Susan and called her up and paid her
$50.00 to come sing backups. We fell in love with her as she did
with us and we asked her to join the band. She has the talent and
ability to sing lead in any band around or to sing backup vocals
for any major artist but yet she is happy singing backups with us.
That shows me that she is a true team player.
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